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7cb1d79195 Apocalymon launches the "Total Annihilation" attack, the power within the kids causes their digivices to contain the blast and return it back at full force onto Apocalymon and with that the final battle is over. Gennai shows up and tells the kids that the DigiWorld will now start over, starting with File Island. The DigiWorld begins to return to normal and the kids go back to File Island. They decide they will stay in the DigiWorld the rest of the summer since time on Earth is so much slower than the DigiWorld. However, Gennai explains that after Apocalymon was destroyed time in the real world and the DigiWorld became equal, so now time travels at the same rate in both worlds. The only way for the kids to get home is through a portal that will close in two hours. Each of the kids must say goodbye to their Digimon partners. However, as they are leaving, T.K. and Kari somehow seem to know that they will see each other again someday. Tai says that he will never forget the digimon and wonders if they will remember him when or if they meet again!!!
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7cb1d79195 Julia Fogarty's late husband Gary's body goes missing from a funeral parlour and Tom believes it is the work of some of the B&S Ball revellers. When the body is found it is sent to Melbourne for an autopsy and it shows that Gary was poisoned and hadn't died from natural causes as originally suspected. Meanwhile, when a carpet shop is ram-raided and then an electronics shop Adam goes on the hunt to find out who the culprits are.
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646f9e108c Agents force a former con man to help them nab a corrupt politician. Why oh why do people make films that start off with a light-hearted attitude but in the end become grim and depressing. "Hickey and Boggs" and "Shout at the Devil" also come to mind in this respect. The only things saving this film from being lumped in with "Hustle" (the worst '70's Reynolds film in my opinion) is Jack Weston as a bumbling federal investigator and Jerry Reed as the icy evil villain. Of course, with the acting talents of Lauren Hutton on display, a lot more is needed than just a couple of good character actors. Add an exploitative ending that feels like it was tacked on for a sense of serious "drama" and you get one bad movie. 1970s superstar Burt Reynolds made his directorial debut with this sequel to his 1973 vehicle "White Lightning". He also returns to the title role, and Gator is now living a quiet existence with his cantankerous, talkative old pop (John Steadman) and spunky nine year old daughter (Lori Futch). Justice Department agent Irving Greenfield (Jack Weston) is pretty sure Gator is still making and running moonshine, so he intends to offer Gator a proposal. He won't be arresting him (a bust this time would make Gator a three time loser), but asking him to hook up with a childhood buddy, Bama McCall (Jerry Reed). Bama is a crooked politician and crime kingpin, and it's really him that the authorities are after. Gator isn't happy about the assignment at first, but he c